Executive Summary
"THE MYSTIC TRIANGLE"
Episode 1
'The Elixir & the Stone'
PHILOSOPHICAL SONNET
by Saint-Germain
"Curious scrutator of all nature,
I have seen gold thick in the depths of the double mercury.
I have seized its substance and surprised its changing.
I explain by that art the soul with the womb of a mother,
Make its home, take it away, and as a kernel
Placed against a grain of wheat, under the humid pollen;
The one plant and the other vine-stock, are the bread and wine.
NOTHING was, God willing, NOTHING became something,
I doubted it, I sought that on which the universe rests,
NOTHING preserves the equilibrium and serves to sustain.
Then, with the weight of praise and of blame.
I weighed the eternal, it called my soul,
I died, I adored, I knew NOTHING more."
--trans. Manley Palmer Hall in Sages & Seers, from original ms. in British Museum
by Saint-Germain
"Curious scrutator of all nature,
I have seen gold thick in the depths of the double mercury.
I have seized its substance and surprised its changing.
I explain by that art the soul with the womb of a mother,
Make its home, take it away, and as a kernel
Placed against a grain of wheat, under the humid pollen;
The one plant and the other vine-stock, are the bread and wine.
NOTHING was, God willing, NOTHING became something,
I doubted it, I sought that on which the universe rests,
NOTHING preserves the equilibrium and serves to sustain.
Then, with the weight of praise and of blame.
I weighed the eternal, it called my soul,
I died, I adored, I knew NOTHING more."
--trans. Manley Palmer Hall in Sages & Seers, from original ms. in British Museum
What if at his alleged death, St. Germain was taken to a secret place (like a monastery because monks can keep quiet) to recuperate? What if he retreated, after the announcement of his death, to where the Order of the Dragon held Templar treasure? What if he drank from the Holy Grail, restoring the Count St.Germain with an initiatory rebirth? But wait...what if the Holy Grail is actually the Rose Cross bloodline of the Templars? What if he returns through his progeny, and by this means only, as the prophecies predicted? What if he lives and breathes through them as any gr-grandparent might, informing their gnosis, genius, and quintessence?
FOR INFORMATION ONLY: This proprietary memorandum is informational in nature and relates to the packaging, production and distribution of the dramatic property The Elixir & the Stone. It is for your confidential use and consideration only, and may not be reproduced, sold, or redistributed without explicit prior approval.
THE MYSTIC TRIANGLE
The Golden Game
The Elixir & the Stone
A franchisable vehicle based on the romantic action adventures of the Count of St. Germain
The Golden Game
The Elixir & the Stone
A franchisable vehicle based on the romantic action adventures of the Count of St. Germain
The Holy Magic revealed to Moses discovered within an Egyptian monument
and preciously preserved in Asia under the emblem of a winged dragon.
1. To find things lost in the seas since the flooding of the globe.
2.To discover mines and diamonds, gold and silver within the bowels of the earth.
3. To preserve one's health and prolong one's life for a century, and that with the freshness of fifty years,
and the strength of that age.
and preciously preserved in Asia under the emblem of a winged dragon.
1. To find things lost in the seas since the flooding of the globe.
2.To discover mines and diamonds, gold and silver within the bowels of the earth.
3. To preserve one's health and prolong one's life for a century, and that with the freshness of fifty years,
and the strength of that age.
Full Metal Alchemist Wallpaper 146
21st Century Psychotronic Man
The Apollonian type wanders through life and time seeking enhancement
and is never truly happy without "the search" for self.
The Apollonian type wanders through life and time seeking enhancement
and is never truly happy without "the search" for self.
Working Title: THE MYSTIC TRIANGLE, The Elixir & the Stone
Release Date: to be announced
Status: Pre-production
Genre: Romance/Thriller, with love interests, action, spying, political conspiracy, occult ritual, musicology, etc.
Production Company: Welldone Productions
Cast: Johnny Depp, as Count St. Germain
Director:
Screenwriter:
Release Date: to be announced
Status: Pre-production
Genre: Romance/Thriller, with love interests, action, spying, political conspiracy, occult ritual, musicology, etc.
Production Company: Welldone Productions
Cast: Johnny Depp, as Count St. Germain
Director:
Screenwriter:
The Story:
Synopsis: 12 Chapter DVD format
usually its around 9 - 10 chapters in a 90 minute film DVD, every 10 minutes! But it varies and could go up to 12 and even 22
Synopsis: 12 Chapter DVD format
usually its around 9 - 10 chapters in a 90 minute film DVD, every 10 minutes! But it varies and could go up to 12 and even 22
Bruneel, Vortex Jewel, 2014
The Philosopher’s Stone declares,
“My light, exceeds every light, and my
good things are better than all other good
things. I give freely and reward the
intelligent with joy and gladness, glory,
riches, delights; and them that "seek"
after me I make to know and understand,
and to posses divine things."
--Golden Tractates of Hermes
“My light, exceeds every light, and my
good things are better than all other good
things. I give freely and reward the
intelligent with joy and gladness, glory,
riches, delights; and them that "seek"
after me I make to know and understand,
and to posses divine things."
--Golden Tractates of Hermes
Overview:
To unlock the secrets of Saint-Germain, we have to learn to think like an alchemist, think like a Rosicrucian, think like a Qabalist. The main purpose of the hermetic Opus or Great Work is to create a transcendent, miraculous substance variously symbolized as the Philosopher's Stone, the Elixir of Life, or the universal medicine (panacea). The procedure is, first, to find the suitable material, the so called prima materia (lead), and then to subject it to a series of operations which will turn it into the Philosopher's Stone (gold). Devoid of the turbulence of mental images, awareness is luminous and vivid with tremendous potential for concentration.
Death and rebirth is a natural cycle and cosmic pattern. The symbolic life leads toward an ecstatic demolition of the ego and liberation of a transcendent, individual nature. But the way is precarious and no certain goals are ever in sight. The old self dies in rebirth to an unconditioned mode of being. The initiate creates a new body, a Body of Light, which is a spiritual body that becomes a vehicle of consciousness. Refining of the gross material of the body-soul complex is the object of the Opus. We can call it Nirvana, Primordial Awareness, Resurrection or the Philosopher's Stone.
To unlock the secrets of Saint-Germain, we have to learn to think like an alchemist, think like a Rosicrucian, think like a Qabalist. The main purpose of the hermetic Opus or Great Work is to create a transcendent, miraculous substance variously symbolized as the Philosopher's Stone, the Elixir of Life, or the universal medicine (panacea). The procedure is, first, to find the suitable material, the so called prima materia (lead), and then to subject it to a series of operations which will turn it into the Philosopher's Stone (gold). Devoid of the turbulence of mental images, awareness is luminous and vivid with tremendous potential for concentration.
Death and rebirth is a natural cycle and cosmic pattern. The symbolic life leads toward an ecstatic demolition of the ego and liberation of a transcendent, individual nature. But the way is precarious and no certain goals are ever in sight. The old self dies in rebirth to an unconditioned mode of being. The initiate creates a new body, a Body of Light, which is a spiritual body that becomes a vehicle of consciousness. Refining of the gross material of the body-soul complex is the object of the Opus. We can call it Nirvana, Primordial Awareness, Resurrection or the Philosopher's Stone.
CHARACTERS:
Arch-Mage: Count St. Germain:
more than mortal, though perhaps less than immortal, except in the most metaphysical sense. A seductive mesmerizing Trickster who remains ambiguous, mercurial, quixotic. The prototypical 'Obi Wan', a creative genius, searching for his eternal love and eternal stone, but a victim of his own savior complex and slightly imperfect immortality and bloodline infirmities.
But the real bete noire of this Apollonic type is his anima problem, and his compulsion to create distance -- a failure to integrate the archetypal Feminine. An Apollo man's life purpose is to illuminate the darkness by t's also a fundamental denial of darkness. The world is rejected and deliberately kept at a distance. Their lives can become detached or compartmentalized -- disconnected from their emotional center, prefering to use logic to solve problems. Apollo and Artemis work well together because they both tend towards being emotional 'escape artists'. Apollo wants no competitors. Love affairs pale in comparison with the consistency and inspiration of creative spirit, but the nostalgia remains.
He acquaints himself with great pretension with the secrets of nature, the transmutation of metals and jewels, and the prolongation of life and youth -- an extended mid-life crisis, a quest for the Holy Grail. The polymath plays the Great Game of global architectronics as maestro, art dealer, gem hunter, spy, natural philosopher. As an astronomer, he creates his own fine lenses, discovering little-realized threats in the sky -- perhaps the very dragons of old -- perhaps the very things hidden in the sea, as his secret cypher book implies. But none of this Enlightenment, or worldly success, or romantic conquests assuages the loss and nostalgia for his soul mate, who is not really of this world.
The Apollo archetype favors thinking over feeling, distance over closeness. The intellectual specialization of this archetype creates emotional distance. Theoretical attempts to "value the feminine" or "restore the goddess image" are attempts to compensate for what is missing, the way one balances credits and debits in an account. But no amount of restoration can make a flawed foundation sound; theorizing about equal value for the feminine does not change the fact that those collective bodies of men that rule the world still determine how much, what kind, and to what extent such restoration may take place.
The Great Work: The work of alchemy is elemental, balancing fire, air, water and earth. Julius Evola in the hermetic Tradition says, “The seed is, first of all, vulgar gold, which separated from the Mine (Universal Life) is as dead; but when thrust into the earth, or the field, and after putrefying, it is reborn and brings to full flower the principle whose potentiality it held.” If the vulgar gold is the alchemical sulfur principle, as the soul and ego personality, then what is the symbolism of the earth or the field? Body, Soul, Spirit.
This darkness of the tomb, the cultivation of the earth and the field, readily brings to mind the Saturnian aspect of matter and the body. In the Bhagavad-Gita the body is called the field, and those who know this are called the connoisseurs of the field. In the Zohar it is said, “ those alone to whom the mysteries are confided, are called the cultivators of the fields.” The Hermetic Triumph says that, “ The Stone is a Field that the wise cultivate, into which Nature and Art have planted the seed that must produce its fruit.”
Basil Valentine’s eighth key shows a man rising out of the grave. Two men with crossbows sit and aim at a square target with a circular bulls-eye, and a key standing above it indicating that in putrefaction is the key to the process. They have attained this since they have hit the bull’s eye. In the center of the picture we see a grave out of which a resurrected man is emerging. To the left of this, vegetation is sprouting representing the fruition of our seed. In the foreground a corpse lies in a ploughed field showing us that the seed which is not placed in the earth does not resurrect. Spirit, the meaning, cannot be replaced by beauty, the 'eternal reflection,' but it thrives in dynamic relation.
more than mortal, though perhaps less than immortal, except in the most metaphysical sense. A seductive mesmerizing Trickster who remains ambiguous, mercurial, quixotic. The prototypical 'Obi Wan', a creative genius, searching for his eternal love and eternal stone, but a victim of his own savior complex and slightly imperfect immortality and bloodline infirmities.
But the real bete noire of this Apollonic type is his anima problem, and his compulsion to create distance -- a failure to integrate the archetypal Feminine. An Apollo man's life purpose is to illuminate the darkness by t's also a fundamental denial of darkness. The world is rejected and deliberately kept at a distance. Their lives can become detached or compartmentalized -- disconnected from their emotional center, prefering to use logic to solve problems. Apollo and Artemis work well together because they both tend towards being emotional 'escape artists'. Apollo wants no competitors. Love affairs pale in comparison with the consistency and inspiration of creative spirit, but the nostalgia remains.
He acquaints himself with great pretension with the secrets of nature, the transmutation of metals and jewels, and the prolongation of life and youth -- an extended mid-life crisis, a quest for the Holy Grail. The polymath plays the Great Game of global architectronics as maestro, art dealer, gem hunter, spy, natural philosopher. As an astronomer, he creates his own fine lenses, discovering little-realized threats in the sky -- perhaps the very dragons of old -- perhaps the very things hidden in the sea, as his secret cypher book implies. But none of this Enlightenment, or worldly success, or romantic conquests assuages the loss and nostalgia for his soul mate, who is not really of this world.
The Apollo archetype favors thinking over feeling, distance over closeness. The intellectual specialization of this archetype creates emotional distance. Theoretical attempts to "value the feminine" or "restore the goddess image" are attempts to compensate for what is missing, the way one balances credits and debits in an account. But no amount of restoration can make a flawed foundation sound; theorizing about equal value for the feminine does not change the fact that those collective bodies of men that rule the world still determine how much, what kind, and to what extent such restoration may take place.
The Great Work: The work of alchemy is elemental, balancing fire, air, water and earth. Julius Evola in the hermetic Tradition says, “The seed is, first of all, vulgar gold, which separated from the Mine (Universal Life) is as dead; but when thrust into the earth, or the field, and after putrefying, it is reborn and brings to full flower the principle whose potentiality it held.” If the vulgar gold is the alchemical sulfur principle, as the soul and ego personality, then what is the symbolism of the earth or the field? Body, Soul, Spirit.
This darkness of the tomb, the cultivation of the earth and the field, readily brings to mind the Saturnian aspect of matter and the body. In the Bhagavad-Gita the body is called the field, and those who know this are called the connoisseurs of the field. In the Zohar it is said, “ those alone to whom the mysteries are confided, are called the cultivators of the fields.” The Hermetic Triumph says that, “ The Stone is a Field that the wise cultivate, into which Nature and Art have planted the seed that must produce its fruit.”
Basil Valentine’s eighth key shows a man rising out of the grave. Two men with crossbows sit and aim at a square target with a circular bulls-eye, and a key standing above it indicating that in putrefaction is the key to the process. They have attained this since they have hit the bull’s eye. In the center of the picture we see a grave out of which a resurrected man is emerging. To the left of this, vegetation is sprouting representing the fruition of our seed. In the foreground a corpse lies in a ploughed field showing us that the seed which is not placed in the earth does not resurrect. Spirit, the meaning, cannot be replaced by beauty, the 'eternal reflection,' but it thrives in dynamic relation.
Jung said a particular woman in the outside world will have a "hook" that catches a particular man's anima. What that hook is is a resemblance. An actual woman will bear a resemblance to a man's anima and he falls in love with her. The problem with anima/animus-based relationships is there's a danger that the man will basically end up carrying on a relationship not with the actual woman in his life, but with his own inner feminine for which the actual woman is merely a surrogate, or if you prefer, his anima incarnate, setting up a MYSTIC TRIANGLE.
In other words, being "in love" can actually block true relationship, and make what relationship there is to the actual person more difficult. We invest the actual person with qualities that come from the anima. But the anima is a symbolic expression of something eternal. No mortal woman is. Archetypes are like the gods and goddesses of ancient mythology that they inspired. The anima is an idealized image of woman. But no real person can live up to that, so we become disappointed when our anima "angel" or "goddess" reveals to us what, but for the anima, we would have seen from the beginning; her human feet of clay.
In other words, being "in love" can actually block true relationship, and make what relationship there is to the actual person more difficult. We invest the actual person with qualities that come from the anima. But the anima is a symbolic expression of something eternal. No mortal woman is. Archetypes are like the gods and goddesses of ancient mythology that they inspired. The anima is an idealized image of woman. But no real person can live up to that, so we become disappointed when our anima "angel" or "goddess" reveals to us what, but for the anima, we would have seen from the beginning; her human feet of clay.
Soror Mystica: Rose Noble:
(Amelia Lily Monserrat), Rosa Y Santacilia, Melissa Anjouleme, Gisele de Soissons, Rosamund Graythorne, Sara Damaris, Agnes de Ore
Redhead; green eyes - the audience is never sure if she is his projection or real [she might even be a spirit character throughout, or intermitantly manifest] - she comes in dream sequences, and changes forms, anamorphically and otherwise, sometimes with different names. We never quite know for sure at first if the Count is courting yet another mortal woman or his muse in yet another guise. She uses Bloodline genealogy for "time travelling". St. Germain likewise enters his energy body in reverie and dreams for astral adventures.
But this nurse of his deleriums is always recognizable by her gold coins, inscribed with a rose that she uses to hypnotize and misdirect. Mysterious inscriptions cause the coins to acquire a magical aura, as amulets or products of transmutation, and inexhaustible mines of philosophical gold. Believers in the transmutation of metals had or thought they had coins of silver and of gold, duly stamped with the records of the transmutation.
The daily routine of life gives rise to noble issues -- temptations, trials, darkness, the light and weariness -- form the metal that must be transmuted into the coin of Eternity. Women who embody Artemis are goal-oriented. They enjoy "the chase" of elusive quarry. Their perseverance leads to accomplishment and achievement. Artemis rescued anyone (especially women) in physical danger who appealed for her help. Artemis was the goddess of childbirth. Seeking and anticipation in a goal-directed search. The High Priestess has incorporated the Solar aspect within herself. This is not so with Artemis, as the Amazon.
Soror mystica is:a female alchemist ("mystical sister"), usually paired with a male. She is the Sister in Mystery. In alchemical lore these two work together seeking the philosopher's stone, or Holy Grail - brought together by invisible choreography. The alchemical partnership seeks, in essence, to find each person's own divinity through the conscious assistance of another who, in intimate relationship, mirrors back all the aspects of the other's soul which lay hidden; aspects which either taint or cloud the polished vision through which the divine could otherwise see clearly through human eyes. It is a lengthy process, one requiring commitment and humility to allow its rare completion. The working partnership is like two factories facing one another, which demolish and rebuild the other continually. . . a relationship with the Anima Mundi, the muse, genius, genie, daemon, holy guardian angel, etc
For Jung, the higher stages of individuation were unreachable unless a man projected his anima (or a woman her animus) onto a suitable partner. See transference -- a transference attachment to their own unconscious. She remains in a sort of no-man's-land between consciousness and the unconscious, in the half-shadow, in part belonging or akin to the conscious subject, in part an autonomous being meeting consciousness as such. She is not necessarily obedient to the subject's intentions. She may even be of a higher order, more often than not a source of inspiration or warning, or of supernatural information.
ARTIFEX - If the partnership dissolves, the artifex is reduced to being an alchemist by himself. The soror mystica would most likely pursue her transmutational needs through more esoteric means. When they work together, though, it is the two of them who perform the work of the alchemist - and so, through their cooperation, two become one. This is a different union from a sexual (or sexualized) union of opposites. The union of opposites is potent and creative and intense, an interpenetration of two beings.
The artifex and the soror mystica move fluidly with and around each other while focusing their energies and attentions on some shared purpose, that shared purpose being something OTHER than the possession of each other. And so, theirs is a much more subtle interaction, a fire with much lower heat if you will. Which is not to say that the artifex and soror mystica cannot or should not also be lovers. But they do not have to be. And their shared higher goal does not need to be mutual self-improvement - perhaps it is best if they have some other, outside shared purpose, so that mutual self-improvement comes as a fringe benefit of the work they do together.
A mirror of imagination and guide of the Magus - Soror Mystica represents a number of things.
1. Nature herself, including the ground of the action, even the Cosmos
2. The whole Art of Alchemy.
3. An actual physical partner or assistant of the female variety.
4. The feminine counterpart of the alchemist.
5. The Mercurial principle.
Serrano says, In philosophic alchemy, there exists the idea of the Soror Mystica who works with the alchemist while he mixes his substances in his retorts. . . . At the end, there occurs a mystic wedding. . . . In the processes of individuation worked out in the Jungian laboratory between the patient and the analyst, the same fusion takes place. . . . It is a forbidden love which can only be fulfilled outside of matrimony. . . . While it is true that this love does not exclude physical love, the physical becomes transformed into ritual.
Consider the Tantric practices of India, in which the Siddha magicians attempted to achieve psychic union. The ritual of the Tantras is complicated and mysterious. The . . . woman would usually be one of the sacred prostitutes. . . . Just as in alchemy lead is converted into gold . . . the act of coitus was really intended to ignite the mystic fire at the base of the vertebral column. . . . The woman is a priestess of magic love, whose function is to . . . awaken the . . . chakras of the Tantric hero. . . . The man does not ejaculate the semen, but impregnates himself; and thus the process of creation is reversed and time is stopped. . . . The product of this forbidden love is the Androgyne, the Total Man, all of whose . . . centers of consciousness are now awakened. . . .Jung, the magician, had almost alone made it possible for us today to take part in those Mysteries which seem capable of taking us back to that legendary land of the Man-God.
(Amelia Lily Monserrat), Rosa Y Santacilia, Melissa Anjouleme, Gisele de Soissons, Rosamund Graythorne, Sara Damaris, Agnes de Ore
Redhead; green eyes - the audience is never sure if she is his projection or real [she might even be a spirit character throughout, or intermitantly manifest] - she comes in dream sequences, and changes forms, anamorphically and otherwise, sometimes with different names. We never quite know for sure at first if the Count is courting yet another mortal woman or his muse in yet another guise. She uses Bloodline genealogy for "time travelling". St. Germain likewise enters his energy body in reverie and dreams for astral adventures.
But this nurse of his deleriums is always recognizable by her gold coins, inscribed with a rose that she uses to hypnotize and misdirect. Mysterious inscriptions cause the coins to acquire a magical aura, as amulets or products of transmutation, and inexhaustible mines of philosophical gold. Believers in the transmutation of metals had or thought they had coins of silver and of gold, duly stamped with the records of the transmutation.
The daily routine of life gives rise to noble issues -- temptations, trials, darkness, the light and weariness -- form the metal that must be transmuted into the coin of Eternity. Women who embody Artemis are goal-oriented. They enjoy "the chase" of elusive quarry. Their perseverance leads to accomplishment and achievement. Artemis rescued anyone (especially women) in physical danger who appealed for her help. Artemis was the goddess of childbirth. Seeking and anticipation in a goal-directed search. The High Priestess has incorporated the Solar aspect within herself. This is not so with Artemis, as the Amazon.
Soror mystica is:a female alchemist ("mystical sister"), usually paired with a male. She is the Sister in Mystery. In alchemical lore these two work together seeking the philosopher's stone, or Holy Grail - brought together by invisible choreography. The alchemical partnership seeks, in essence, to find each person's own divinity through the conscious assistance of another who, in intimate relationship, mirrors back all the aspects of the other's soul which lay hidden; aspects which either taint or cloud the polished vision through which the divine could otherwise see clearly through human eyes. It is a lengthy process, one requiring commitment and humility to allow its rare completion. The working partnership is like two factories facing one another, which demolish and rebuild the other continually. . . a relationship with the Anima Mundi, the muse, genius, genie, daemon, holy guardian angel, etc
For Jung, the higher stages of individuation were unreachable unless a man projected his anima (or a woman her animus) onto a suitable partner. See transference -- a transference attachment to their own unconscious. She remains in a sort of no-man's-land between consciousness and the unconscious, in the half-shadow, in part belonging or akin to the conscious subject, in part an autonomous being meeting consciousness as such. She is not necessarily obedient to the subject's intentions. She may even be of a higher order, more often than not a source of inspiration or warning, or of supernatural information.
ARTIFEX - If the partnership dissolves, the artifex is reduced to being an alchemist by himself. The soror mystica would most likely pursue her transmutational needs through more esoteric means. When they work together, though, it is the two of them who perform the work of the alchemist - and so, through their cooperation, two become one. This is a different union from a sexual (or sexualized) union of opposites. The union of opposites is potent and creative and intense, an interpenetration of two beings.
The artifex and the soror mystica move fluidly with and around each other while focusing their energies and attentions on some shared purpose, that shared purpose being something OTHER than the possession of each other. And so, theirs is a much more subtle interaction, a fire with much lower heat if you will. Which is not to say that the artifex and soror mystica cannot or should not also be lovers. But they do not have to be. And their shared higher goal does not need to be mutual self-improvement - perhaps it is best if they have some other, outside shared purpose, so that mutual self-improvement comes as a fringe benefit of the work they do together.
A mirror of imagination and guide of the Magus - Soror Mystica represents a number of things.
1. Nature herself, including the ground of the action, even the Cosmos
2. The whole Art of Alchemy.
3. An actual physical partner or assistant of the female variety.
4. The feminine counterpart of the alchemist.
5. The Mercurial principle.
Serrano says, In philosophic alchemy, there exists the idea of the Soror Mystica who works with the alchemist while he mixes his substances in his retorts. . . . At the end, there occurs a mystic wedding. . . . In the processes of individuation worked out in the Jungian laboratory between the patient and the analyst, the same fusion takes place. . . . It is a forbidden love which can only be fulfilled outside of matrimony. . . . While it is true that this love does not exclude physical love, the physical becomes transformed into ritual.
Consider the Tantric practices of India, in which the Siddha magicians attempted to achieve psychic union. The ritual of the Tantras is complicated and mysterious. The . . . woman would usually be one of the sacred prostitutes. . . . Just as in alchemy lead is converted into gold . . . the act of coitus was really intended to ignite the mystic fire at the base of the vertebral column. . . . The woman is a priestess of magic love, whose function is to . . . awaken the . . . chakras of the Tantric hero. . . . The man does not ejaculate the semen, but impregnates himself; and thus the process of creation is reversed and time is stopped. . . . The product of this forbidden love is the Androgyne, the Total Man, all of whose . . . centers of consciousness are now awakened. . . .Jung, the magician, had almost alone made it possible for us today to take part in those Mysteries which seem capable of taking us back to that legendary land of the Man-God.
Temperance
Assistant, Roger
Mesmer, Cagliostro, Royals, Courtiers, Secret Societies
Various romantic interests
Antagonists
COMPANY, CAST, CREW
BUDGET
RISK
INVESTMENT OPTIONS
EXECUTIVE MANAGEMENT TEAM
FINANCIAL SUMMARY: ROI
Outstanding funding required for completion: $XX Million.
PRINCIPALS
Dossier
Name(s):
Eyes: Brown, "soft and penetrating" according to Comtesse d'Adhemar.
Hair: Black; wigs
Height: Medium or slightly-less-than medium height
Other Markings: Dimple on chin, small feet, delicate hands, "magnificent teeth", ambidextrous (to the point of being able to write two different things at the same time while singing)
Languages Spoken Fluently: German, English, Italian, Portuguese, Spanish, French with a Piedmontese accent, Greek, Latin, Sanskrit, Arabic, and Chinese.
Arts: Violin, Musical Composing, Piano, Singing, Painting, Author
Professional: Chemistry, Alchemy, Textile/Dye Manufacturing, Velum Paper Manufacturing, Diplomat, Inventor, Medical Advisor (but not a doctor)
Known diet: Oatmeal, groats, and white meat of chicken. On the rare occasion he will drink wine.
Quirks: Possible germaphobe; porphyric
Other: Has a man named Roger who he travels with for "500 years".
Name(s):
- Count Saint Germain (also St.Germain or Saint-Germain)
- Welldone (also Weldoun or Weldon)
- de Saint-Noel
- Saltykoff (also Saltikov)
- Marquis de Montferrat
- Bellamarre
- Bedmar
- Belmar
- Schoening
- Tzarogy
- Prince Francis Leopold Ragoczy
- Belletti
- Fraser
- Marquis d'Aymar
- Giovannini
- Simon Wolff (according to Marquise de Crequy)
- Tomašis Stroganoff
Eyes: Brown, "soft and penetrating" according to Comtesse d'Adhemar.
Hair: Black; wigs
Height: Medium or slightly-less-than medium height
Other Markings: Dimple on chin, small feet, delicate hands, "magnificent teeth", ambidextrous (to the point of being able to write two different things at the same time while singing)
Languages Spoken Fluently: German, English, Italian, Portuguese, Spanish, French with a Piedmontese accent, Greek, Latin, Sanskrit, Arabic, and Chinese.
Arts: Violin, Musical Composing, Piano, Singing, Painting, Author
Professional: Chemistry, Alchemy, Textile/Dye Manufacturing, Velum Paper Manufacturing, Diplomat, Inventor, Medical Advisor (but not a doctor)
Known diet: Oatmeal, groats, and white meat of chicken. On the rare occasion he will drink wine.
Quirks: Possible germaphobe; porphyric
Other: Has a man named Roger who he travels with for "500 years".
Timeline
1710 - Baron de Gleichen wrote "I have heard Rameau and an old relative of French ambassador at Venice testify to having known M. de St.Germain in 1710, when he had the appearance of a man of fifty years of age."
1715 - 1723 - Baron von Stosch knew St.Germain during the regency of Philippe d'Orleans.
1723 - The Count visited the 10 year old Comtess de Geniis' family in Venice.
1723 - 1731 - Spent much time in Venice.
November 22, 1735 - The Count sent a letter to Sir Hans Sloane while he was staying at: the house of the widow Vincent, on the Nieue-laan, in de Twyn-laan, The Hague.
1735 - Mr. Monin, a French embassy secretary, reported to Baron de Gleichen that the Count had not aged a single day when he (Monin) saw him on a trip to Holland.
1737-1742 - Count St.Germain was at the Court of the Shah of Persia. This would place St.Germain in Persia at the end of the rule of Shah Abbas III and the beginning of the rule of Shah Sam.
1743 - Count St.Germain was reported to be in Versailles for a short while before continuing on to England. Appearing to be about 45 years old.
1743 - In London, he lodged in a house on St. Martin Street.
1745 - Arrested by Horace Walpole in England. Walpole relates the story in a letter to Sir Horace Mann on December 9, 1745.
1745 - Puts together some steam engine prototypes.
December 21, 1745 - The French Charge d'Affaires in London reported an encounter with Saint-Germain. They noted that he would not reveal anything about his person unless to King Louis XV personally.
1745 - Composed music which is currently at the British Museum.
1745-1746 - The Count spent some time in Vienna after his arrest.
Spring 1746 - Attends rehearsals for L'Incostanza Delusa at a theatre on Haymarket Street.
April 7, 1746 - Attends first night of L'Incostanza Delusa. Works with Guilia Frasi. The Count showed up with friend Prince Lobkowitz. St.Germain showed up to all rehearsals and all the shows.
1747 - Walsh, a famous London music publisher, published Favorite Songs in the Opera called L'Incostanza Delusa.
1747 - Saint-Germain was staying at St.Mary's Axe in London with a Dr. Abraham Gomes Ergas (otherwise known at Dr.Phillip de la Cour), a Jewish physician from Italy.
1749 - Starts work as a diplomat for Louis XV.
1750 - The Count visited Mdm. de Pompadour in France.
1755 - The Count traveled to India (a second time) with General Clive, who was under Vice Admiral Watson. Sent a letter to Count von Lamburg.
December 6, 1755 to July 1756 - The Count was at The Hague working with Minister Plenipotentiary and d'Affry on a method to clean the port. The Count brought in two men to help, Francois X. d'Arles de Ligniere and Virette.
1757 - The Count arrives in Paris and is introduced at court by Belle-Isle, who was a Count, Marechal, and Minister of War.
1758 - The Count has met Voltaire by April 15, 1758. Voltaire mentions him in a letter on that date sent to Frederick of Prussia.
1759 - Baron de Gleichen visited the widow of Chevalier Lambert in Paris and met the Count. "...and there saw me enter after a man of medium size, very sturdy, dressed with beautiful simplicity and refined. He threw his hat and sword on the bed of the mistress of the house, placed himself in a chair near the fire and interrupted the conversation and said to the man who spoke: "Ye know not what you say, there is only me who can speak on this matter, I have exhausted all like the music that I abandoned, unable to go beyond."" Mentioned in Baron de Gleichen's memoirs.
April 24, 1760 - Warrant (from France) and extradition of Count St.Germain from Holland. Comte de Bentinck gave Count St.Germain fair warning and urged him to travel to England. The day before St.Germain left, he had spent four hours with the English Minister and nearly had a peace treaty authorized with the British that would have ended the Seven Years War three years early.
May 17, 1760 - Read's Weekly Journal or British Gazetteer reported the arrival of Count St.Germain from Holland. It also claims that he was born in Italy in 1712.
1760 - Composed music which is currently at the British Museum.
1760 - The Mitchell Papers, a collection of letters about Count St.Germain and the relations with France, are written. George III requests that the letters not be disclosed until after his death.
1762 - Buys Ubbergen and visits St.Petersburg, Russia.
January 1763 - The Count traveled through Brussels and met with Graf Karl Cobenzl. Graf Cobenzl relates this in a letter to Prince Kaunitz, Prime Minister on April 8, 1763.
1763 - Casanova met the Count in Tournay.
Between 1763 and 1769 - One year was spent in Berlin. It is mentioned in the memoirs of M. Dieudonne Thiebault.
1765 - The Count was in Russia.
1766 or 1767 - Heads to Italy.
1768 - The Count was in Versailles and was present for the catastrophe of Madame de Chateauroux. Louis XVI asked for an antidote for Chateauroux, but the Count replied that it was too late for her. later, in Paris, Madame d'Adhemar wrote that she ran into the Count who was traveling under the guise of M. de Saint-Noel while trying to avoid the Duc du Choiseul and his men.
1769 - The Count set up shop in Venice where he mass-produced synthetic silk from flax.
1770 - The Count was at Leghorn when the Russian fleet was there. He wore a Russian uniform and was called Graf Saltikoff by Graf Alexis Orloff. This is when he created Russian Tea, a mixture of orange, cinnamon, and cloves in black tea. The tea was noted for its ability to keep the health of the Russian fleet.
1770 - The Count stays in Venice and meets up with Graf Maximilian Joseph Von Lamberg, German physicist and philosopher.
July 1770 - Traveling with Graf Max von Lamberg, the Count travels to the Island of Corsica.
1772 - Graf Orloff saw the Count in Nuremburg with the Margrave of Anspach.
1773 - He travels to Mantua and Italy.
1774-1776 - Visit to Triesdorf.
Between 1775-1780 - True date unknown. The Count met up with Franz and Rudolph Graffer, two brothers in Vienna. The Count relates a new prophecy to the brothers: "You have a letter of introduction from Herr von Seingalt; but it is not needed. This gentleman is Baron Linden. I knew that you would both be here at this moment. You have another letter for me from Bruhl. But the painter is not to be saved; his lung is gone, he will die July 8, 1805. A man who is still a child called Buonaparte will be indirectly to blame. And now, gentlemen I know of your doings; can I be of any service to you? Speak."
1776 - Visit to Leipzig under the name Chevalier Weldon. Graf Marcolini recorded the Count traveling under the name Welldoun in October 1776.
1777 - Visit to Dresden where he met with Prussian Ambassador, von Alvensleben. (Achaz Henry of Alvensleben?) Moves to Dresden in the autumn.
1778 - Travels to Altona.
1779 - Visit to Hamburg before traveling to visit Prince Karl of Hesse.
1782 - The Count was a delegate to the Freemason’s Wilhelmsbad Conference.
February 27, 1784 - Supposed death of Count St.Germain. Its said that before he died "he was waited on by women who nursed him like a second Solomon."
1785 - Count St.Germain appears at the Masonic convention in Paris. He is listed on the registrar by Dr. E. E. Eckert. N. Deschamps also recorded St.Germain's appearance at the convention and firmly states that he is one of the Templars. Cagliostro also claimed to have seen him at the convention and went through an initiation and ritual used only by Templars.
1786 - Had a meeting with the Empress of Russia.
1788 - Prophetic verse reaches the French royalty: "The time is fast approaching when imprudent France, Surrounded by misfortune she might have spared herself, Will call to mind such hell as Dante painted. This day, O Queen! is near, no more can doubt remain, A hydra vile and cowardly, with his enormous horns Will carry off the altar, throne, and Themis; In place of common sense, madness incredible Will reign, and all be lawful to the wicked. Yea! Falling shall we see scepter, censer, scares, Towers and escutcheons, even the white flag; Henceforth will all be fraud, murders and violence, Which we shall find instead of sweet repose. Great streams of blood are flowing in each town; Sobs only do I hear, and exiles see! On all sides civil discord loudly roars, And uttering cries o all sides virtue flees, As from the assembly votes of death arise. Great God! who can reply to murderous judges? And on what brows august I see the sword descend! What monsters treated as the peers of heroes! Oppressors, oppressed, victors, vanquished...The storm reaches you all in turn, in this common wreck, What crimes what evils, what appalling guilt, Menace the subjects, as the potentates! And more than one usurper triumphs in command, More than one heart misled is humbled and repents. At last, closing the abyss and born from a black tomb There rises a young lily, more happy, and more fair."
1788 - Count de Chalons returned from the Venetian embassy claimed to have spoken to the Comte de Saint-Germain in the Place Sain Marc the day before he left to go on to an embassy to Portugal.
1788 - Met with Baron Linden, telling him that he was on his way out of Europe - headed for the Himalayas. "I will rest; I must rest. Exactly in eighty-five years will people again set eyes on me. Farewell, I love you."
1789 - The Inquisition seized the book The Most Holy Trinosophia in Rome, which was in Cagliostro's possession. No idea when it was written by the Count.
October 5, 1789 - Countess d’Adhémar got a letter saying that the sun had set on the French monarchy, and it was too late; his hands were tied “by one stronger than myself”. He prophesied the death of Marie Antoinette, the ruin of the royal family, and the rise of Napoleon. He himself would be going to Sweden to investigate King Gustavius III and to try to head off “a great crime.”
1793 - Prophetic verse about Queen Marie-Antoinette. According to the Count, in 1793 the fate of the Queen would be death. Countess d'Adhemar asked if she would see the Count again after he gave her the prophecy and he replied "Five times more; do not wish for a sixth." The first of six was in 1793 at the assassination of the Queen.
1798 - Englishman Grosley saw the Count in a revolutionary prison in France.
November 9, 1799 - The Count was seen by Countess d'Adhemar at the 18th Brumaire of Louis XVI, also known as the coup d'etat in which Napoleon Bonaparte overtook the French consulate.
March 22, 1804 - The day after the death of Louis Antoine du Bourbon, Duc d'Enghien. The Count was seen by Countess d'Adhemar.
January 1813 - The Count visited the Countess d'Adhemar.
February 13, 1820 - The eve of the murder of Charles Ferdinand, Duke de Berri, the Countess d'Adhemar meets up with the Count.
1820 - Albert Vandam, an Englishman, wrote in his memoirs of "An Englishman in Paris", speaks of a certain person whom he knew towards the end of Louis Philippe's reign and whose way of life bore a curious resemblance to that of the Comte de Saint-Germain. "He called himself Major Fraser", wrote Vandam, "lived alone and never alluded to his family. Moreover he was lavish with money, though the source of his fortune remained a mystery to everyone. He possessed a marvelous knowledge of all the countries in Europe at all periods. His memory was absolutely incredible and, curiously enough, he often gave his hearers to understand that he had acquired his learning elsewhere than from books. Many is the time he has told me, with a strange smile, that he was certain he had known Nero, had spoken with Dante, and so on." Like Saint-Germain, Major Fraser had the appearance of a man of between forty and fifty, of middle height and strongly built. The rumor was current that he was the illegitimate son of a Spanish prince. After having been, also like Saint-Germain, a cause of astonishment to Parisian society for a considerable time, he disappeared without leaving a trace. Was it the same Major Fraser who, in 1820, published an account of his journey in the Himalayas, in which he said he had reached Gangotri, the source of the most sacred branch of the Ganges River, and bathed in the source of the Jumna River?
James Baillie Fraser "Journal of a Tour" from 1820 is the book in question.
May 12, 1821 - The Countess d'Adhemar puts a handwritten note in her journal about the 1793 prophecy the Count had made. She died in 1822.
1860 - Met with Lord Lytton. Edward George Earle Lytton Bulwer-Lytton, 1st Baron Lytton, was was an English politician, poet, playwright, and novelist. He was immensely popular with the reading public and wrote a stream of bestselling dime-novels which earned him a considerable fortune. He coined several phrases that would become clichés, especially "the great unwashed", "pursuit of the almighty dollar", "the pen is mightier than the sword", as well as the famous opening line "It was a dark and stormy night".
1867 - The Count was seen at a meeting for the Grand Lodge of Freemasons in Milan.
1870 - Napoleon III was so interested in the "Undying Count" that he had a special commission put together to collect information on the Count. The commission was stationed at the Hotel de Ville.
1871 - A mysterious fire breaks out at the Hotel de Ville, consuming the files Napoleon's commission had collected.
1873 - Theorized date of Madame Blavatsky meeting the Count. This is 85 years after meeting Baron Lindon.
1877 - Seen in Milan at a Freemason meeting.
1896 - Annie Besant made a claim to have met the Count.
1896 - Madame Blavatsky made a claim to have met the Count and that she was in frequent contact with him. She also claimed that he was one of a group of immortals who came from a subterranean country called Shambhala in the Himalayas.
1897 - French singer Emma Calve said that the Count paid her a visit. She called him the "Great Chiromancer".
1710 - Baron de Gleichen wrote "I have heard Rameau and an old relative of French ambassador at Venice testify to having known M. de St.Germain in 1710, when he had the appearance of a man of fifty years of age."
1715 - 1723 - Baron von Stosch knew St.Germain during the regency of Philippe d'Orleans.
1723 - The Count visited the 10 year old Comtess de Geniis' family in Venice.
1723 - 1731 - Spent much time in Venice.
November 22, 1735 - The Count sent a letter to Sir Hans Sloane while he was staying at: the house of the widow Vincent, on the Nieue-laan, in de Twyn-laan, The Hague.
1735 - Mr. Monin, a French embassy secretary, reported to Baron de Gleichen that the Count had not aged a single day when he (Monin) saw him on a trip to Holland.
1737-1742 - Count St.Germain was at the Court of the Shah of Persia. This would place St.Germain in Persia at the end of the rule of Shah Abbas III and the beginning of the rule of Shah Sam.
1743 - Count St.Germain was reported to be in Versailles for a short while before continuing on to England. Appearing to be about 45 years old.
1743 - In London, he lodged in a house on St. Martin Street.
1745 - Arrested by Horace Walpole in England. Walpole relates the story in a letter to Sir Horace Mann on December 9, 1745.
1745 - Puts together some steam engine prototypes.
December 21, 1745 - The French Charge d'Affaires in London reported an encounter with Saint-Germain. They noted that he would not reveal anything about his person unless to King Louis XV personally.
1745 - Composed music which is currently at the British Museum.
1745-1746 - The Count spent some time in Vienna after his arrest.
Spring 1746 - Attends rehearsals for L'Incostanza Delusa at a theatre on Haymarket Street.
April 7, 1746 - Attends first night of L'Incostanza Delusa. Works with Guilia Frasi. The Count showed up with friend Prince Lobkowitz. St.Germain showed up to all rehearsals and all the shows.
1747 - Walsh, a famous London music publisher, published Favorite Songs in the Opera called L'Incostanza Delusa.
1747 - Saint-Germain was staying at St.Mary's Axe in London with a Dr. Abraham Gomes Ergas (otherwise known at Dr.Phillip de la Cour), a Jewish physician from Italy.
1749 - Starts work as a diplomat for Louis XV.
1750 - The Count visited Mdm. de Pompadour in France.
1755 - The Count traveled to India (a second time) with General Clive, who was under Vice Admiral Watson. Sent a letter to Count von Lamburg.
December 6, 1755 to July 1756 - The Count was at The Hague working with Minister Plenipotentiary and d'Affry on a method to clean the port. The Count brought in two men to help, Francois X. d'Arles de Ligniere and Virette.
1757 - The Count arrives in Paris and is introduced at court by Belle-Isle, who was a Count, Marechal, and Minister of War.
1758 - The Count has met Voltaire by April 15, 1758. Voltaire mentions him in a letter on that date sent to Frederick of Prussia.
1759 - Baron de Gleichen visited the widow of Chevalier Lambert in Paris and met the Count. "...and there saw me enter after a man of medium size, very sturdy, dressed with beautiful simplicity and refined. He threw his hat and sword on the bed of the mistress of the house, placed himself in a chair near the fire and interrupted the conversation and said to the man who spoke: "Ye know not what you say, there is only me who can speak on this matter, I have exhausted all like the music that I abandoned, unable to go beyond."" Mentioned in Baron de Gleichen's memoirs.
April 24, 1760 - Warrant (from France) and extradition of Count St.Germain from Holland. Comte de Bentinck gave Count St.Germain fair warning and urged him to travel to England. The day before St.Germain left, he had spent four hours with the English Minister and nearly had a peace treaty authorized with the British that would have ended the Seven Years War three years early.
May 17, 1760 - Read's Weekly Journal or British Gazetteer reported the arrival of Count St.Germain from Holland. It also claims that he was born in Italy in 1712.
1760 - Composed music which is currently at the British Museum.
1760 - The Mitchell Papers, a collection of letters about Count St.Germain and the relations with France, are written. George III requests that the letters not be disclosed until after his death.
1762 - Buys Ubbergen and visits St.Petersburg, Russia.
January 1763 - The Count traveled through Brussels and met with Graf Karl Cobenzl. Graf Cobenzl relates this in a letter to Prince Kaunitz, Prime Minister on April 8, 1763.
1763 - Casanova met the Count in Tournay.
Between 1763 and 1769 - One year was spent in Berlin. It is mentioned in the memoirs of M. Dieudonne Thiebault.
1765 - The Count was in Russia.
1766 or 1767 - Heads to Italy.
1768 - The Count was in Versailles and was present for the catastrophe of Madame de Chateauroux. Louis XVI asked for an antidote for Chateauroux, but the Count replied that it was too late for her. later, in Paris, Madame d'Adhemar wrote that she ran into the Count who was traveling under the guise of M. de Saint-Noel while trying to avoid the Duc du Choiseul and his men.
1769 - The Count set up shop in Venice where he mass-produced synthetic silk from flax.
1770 - The Count was at Leghorn when the Russian fleet was there. He wore a Russian uniform and was called Graf Saltikoff by Graf Alexis Orloff. This is when he created Russian Tea, a mixture of orange, cinnamon, and cloves in black tea. The tea was noted for its ability to keep the health of the Russian fleet.
1770 - The Count stays in Venice and meets up with Graf Maximilian Joseph Von Lamberg, German physicist and philosopher.
July 1770 - Traveling with Graf Max von Lamberg, the Count travels to the Island of Corsica.
1772 - Graf Orloff saw the Count in Nuremburg with the Margrave of Anspach.
1773 - He travels to Mantua and Italy.
1774-1776 - Visit to Triesdorf.
Between 1775-1780 - True date unknown. The Count met up with Franz and Rudolph Graffer, two brothers in Vienna. The Count relates a new prophecy to the brothers: "You have a letter of introduction from Herr von Seingalt; but it is not needed. This gentleman is Baron Linden. I knew that you would both be here at this moment. You have another letter for me from Bruhl. But the painter is not to be saved; his lung is gone, he will die July 8, 1805. A man who is still a child called Buonaparte will be indirectly to blame. And now, gentlemen I know of your doings; can I be of any service to you? Speak."
1776 - Visit to Leipzig under the name Chevalier Weldon. Graf Marcolini recorded the Count traveling under the name Welldoun in October 1776.
1777 - Visit to Dresden where he met with Prussian Ambassador, von Alvensleben. (Achaz Henry of Alvensleben?) Moves to Dresden in the autumn.
1778 - Travels to Altona.
1779 - Visit to Hamburg before traveling to visit Prince Karl of Hesse.
1782 - The Count was a delegate to the Freemason’s Wilhelmsbad Conference.
February 27, 1784 - Supposed death of Count St.Germain. Its said that before he died "he was waited on by women who nursed him like a second Solomon."
1785 - Count St.Germain appears at the Masonic convention in Paris. He is listed on the registrar by Dr. E. E. Eckert. N. Deschamps also recorded St.Germain's appearance at the convention and firmly states that he is one of the Templars. Cagliostro also claimed to have seen him at the convention and went through an initiation and ritual used only by Templars.
1786 - Had a meeting with the Empress of Russia.
1788 - Prophetic verse reaches the French royalty: "The time is fast approaching when imprudent France, Surrounded by misfortune she might have spared herself, Will call to mind such hell as Dante painted. This day, O Queen! is near, no more can doubt remain, A hydra vile and cowardly, with his enormous horns Will carry off the altar, throne, and Themis; In place of common sense, madness incredible Will reign, and all be lawful to the wicked. Yea! Falling shall we see scepter, censer, scares, Towers and escutcheons, even the white flag; Henceforth will all be fraud, murders and violence, Which we shall find instead of sweet repose. Great streams of blood are flowing in each town; Sobs only do I hear, and exiles see! On all sides civil discord loudly roars, And uttering cries o all sides virtue flees, As from the assembly votes of death arise. Great God! who can reply to murderous judges? And on what brows august I see the sword descend! What monsters treated as the peers of heroes! Oppressors, oppressed, victors, vanquished...The storm reaches you all in turn, in this common wreck, What crimes what evils, what appalling guilt, Menace the subjects, as the potentates! And more than one usurper triumphs in command, More than one heart misled is humbled and repents. At last, closing the abyss and born from a black tomb There rises a young lily, more happy, and more fair."
1788 - Count de Chalons returned from the Venetian embassy claimed to have spoken to the Comte de Saint-Germain in the Place Sain Marc the day before he left to go on to an embassy to Portugal.
1788 - Met with Baron Linden, telling him that he was on his way out of Europe - headed for the Himalayas. "I will rest; I must rest. Exactly in eighty-five years will people again set eyes on me. Farewell, I love you."
1789 - The Inquisition seized the book The Most Holy Trinosophia in Rome, which was in Cagliostro's possession. No idea when it was written by the Count.
October 5, 1789 - Countess d’Adhémar got a letter saying that the sun had set on the French monarchy, and it was too late; his hands were tied “by one stronger than myself”. He prophesied the death of Marie Antoinette, the ruin of the royal family, and the rise of Napoleon. He himself would be going to Sweden to investigate King Gustavius III and to try to head off “a great crime.”
1793 - Prophetic verse about Queen Marie-Antoinette. According to the Count, in 1793 the fate of the Queen would be death. Countess d'Adhemar asked if she would see the Count again after he gave her the prophecy and he replied "Five times more; do not wish for a sixth." The first of six was in 1793 at the assassination of the Queen.
1798 - Englishman Grosley saw the Count in a revolutionary prison in France.
November 9, 1799 - The Count was seen by Countess d'Adhemar at the 18th Brumaire of Louis XVI, also known as the coup d'etat in which Napoleon Bonaparte overtook the French consulate.
March 22, 1804 - The day after the death of Louis Antoine du Bourbon, Duc d'Enghien. The Count was seen by Countess d'Adhemar.
January 1813 - The Count visited the Countess d'Adhemar.
February 13, 1820 - The eve of the murder of Charles Ferdinand, Duke de Berri, the Countess d'Adhemar meets up with the Count.
1820 - Albert Vandam, an Englishman, wrote in his memoirs of "An Englishman in Paris", speaks of a certain person whom he knew towards the end of Louis Philippe's reign and whose way of life bore a curious resemblance to that of the Comte de Saint-Germain. "He called himself Major Fraser", wrote Vandam, "lived alone and never alluded to his family. Moreover he was lavish with money, though the source of his fortune remained a mystery to everyone. He possessed a marvelous knowledge of all the countries in Europe at all periods. His memory was absolutely incredible and, curiously enough, he often gave his hearers to understand that he had acquired his learning elsewhere than from books. Many is the time he has told me, with a strange smile, that he was certain he had known Nero, had spoken with Dante, and so on." Like Saint-Germain, Major Fraser had the appearance of a man of between forty and fifty, of middle height and strongly built. The rumor was current that he was the illegitimate son of a Spanish prince. After having been, also like Saint-Germain, a cause of astonishment to Parisian society for a considerable time, he disappeared without leaving a trace. Was it the same Major Fraser who, in 1820, published an account of his journey in the Himalayas, in which he said he had reached Gangotri, the source of the most sacred branch of the Ganges River, and bathed in the source of the Jumna River?
James Baillie Fraser "Journal of a Tour" from 1820 is the book in question.
May 12, 1821 - The Countess d'Adhemar puts a handwritten note in her journal about the 1793 prophecy the Count had made. She died in 1822.
1860 - Met with Lord Lytton. Edward George Earle Lytton Bulwer-Lytton, 1st Baron Lytton, was was an English politician, poet, playwright, and novelist. He was immensely popular with the reading public and wrote a stream of bestselling dime-novels which earned him a considerable fortune. He coined several phrases that would become clichés, especially "the great unwashed", "pursuit of the almighty dollar", "the pen is mightier than the sword", as well as the famous opening line "It was a dark and stormy night".
1867 - The Count was seen at a meeting for the Grand Lodge of Freemasons in Milan.
1870 - Napoleon III was so interested in the "Undying Count" that he had a special commission put together to collect information on the Count. The commission was stationed at the Hotel de Ville.
1871 - A mysterious fire breaks out at the Hotel de Ville, consuming the files Napoleon's commission had collected.
1873 - Theorized date of Madame Blavatsky meeting the Count. This is 85 years after meeting Baron Lindon.
1877 - Seen in Milan at a Freemason meeting.
1896 - Annie Besant made a claim to have met the Count.
1896 - Madame Blavatsky made a claim to have met the Count and that she was in frequent contact with him. She also claimed that he was one of a group of immortals who came from a subterranean country called Shambhala in the Himalayas.
1897 - French singer Emma Calve said that the Count paid her a visit. She called him the "Great Chiromancer".
Copyright © 2010-2015 Iona Miller, All Rights Reserved.
[email protected]
FAIR USE NOTICE
This site may contains some copyrighted material which has not been specifically authorized by the copyright owner. We are making such material available in our efforts to advance understanding and knowledge through educational issues. This constitutes a 'fair use' of any such copyrighted material as provided for in section 107 of the US Copyright Law, in accordance with Title 17 U.S.C. Section 107. The material on this site is distributed without profit to those who have expressed a prior interest in receiving the included information for research and educational purposes.
The owners and publishers of these pages wish to state that the material presented here that is the product of our research is offered with the caveat that the reader ought always to research on their own. We invite the reader to share in our Seeking of Truth by reading with an Open, but skeptical mind. We constantly seek to validate and/or refine what we understand to be either possible or probable or both. We do this in the sincere hope that all of mankind will benefit, if not now, then at some point in one of our probable futures. If you wish to use copyrighted material from this site for purposes of your own that go beyond 'fair use', you must obtain permission from the copyright owner
[email protected]
FAIR USE NOTICE
This site may contains some copyrighted material which has not been specifically authorized by the copyright owner. We are making such material available in our efforts to advance understanding and knowledge through educational issues. This constitutes a 'fair use' of any such copyrighted material as provided for in section 107 of the US Copyright Law, in accordance with Title 17 U.S.C. Section 107. The material on this site is distributed without profit to those who have expressed a prior interest in receiving the included information for research and educational purposes.
The owners and publishers of these pages wish to state that the material presented here that is the product of our research is offered with the caveat that the reader ought always to research on their own. We invite the reader to share in our Seeking of Truth by reading with an Open, but skeptical mind. We constantly seek to validate and/or refine what we understand to be either possible or probable or both. We do this in the sincere hope that all of mankind will benefit, if not now, then at some point in one of our probable futures. If you wish to use copyrighted material from this site for purposes of your own that go beyond 'fair use', you must obtain permission from the copyright owner